VEMOSARTE: What happening in MAMO France (Marseille) 2014 Exposition Daniel Buren

What happening in MAMO France (Marseille) 2014

Exposition Daniel Buren — DÉFINI, FINI, INFINI Ora-Ito

VemosArte following this great event from France (Marseille) ...Ora-Ito opens the MaMo to Daniel Buren for a exhibition on the roof of the CITÃ© radieuse from June 30, 2014.

DEFINED, FINISHED, INFINITE exhibition consisting of a set of 7 monumental works unpublished, presentation, questioned and transformed the perception of the mythical roof-terrace.

DEFINED, FINISHED, INFINITE

Daniel Buren

from 30 June to September 30, 2014

Mamo, roof of the CITÃ© radieuse (Marseille)

Private inauguration 28 of june

By VEMOSARTE

THE NEW WAY TO SEE ART

Some pictures are from external sources from FB

Ora-Ito abre El MaMo a Daniel Buren

Ora-Ito abre el MaMo a Daniel Buren para una exposición sobre el techo de la ciudad Radiante a partir del 30 de junio de 2014.DEFINIDO, el acabado, INFINITO exposición compuesta de un conjunto de 7 obras monumentales inéditas, exponga, interroga y transforma la percepción del Mítico techo-terraza. DEFINIDO, el acabado, INFINITO un trabajo de Daniel Burendel 30 de junio al 30 de septiembre de 2014 MaMo, techo de la ciudad Radiante (Marsella) Francia .

By VemosArte
La nueva Forma de Ver Arte

Ora-Ito in MaMo to Daniel Buren

Private inauguration 28 of june At MAMO

What happen in MAMO France (Marseille) 2014 Exposition Daniel Buren — DÉFINI, FINI, INFINI Ora-Ito

Private inauguration 28 of june At MAMO

Ora-Ïto & Xavier Veilhan

Private inauguration 28 of june At MAMO

Daniel Buren

Artista visual
Daniel Buren es un artista conceptual francés. En 1986 creó una escultura de 3.000 m² en el gran patio del Palais Royal, en París: «Les Deux Plateaux», más frecuentemente llamadas la «Colonnes de Buren».Wikipedia
Fecha de nacimiento: 25 de marzo de 1938 (edad 76), Boulogne-Billancourt, Francia

Períodos: Arte conceptual, Arte moderno

Daniel Buren, 2014
Born	1938 Boulogne-Billancourt, Hauts-de-Seine
Nationality	French
Field	Sculpture, Installation
Movement	Abstract minimalism
Works	Les Deux Plateaux
Awards	Praemium Imperiale, Golden Lion Award

He graduated from the Ecole Nationale Supérieure des Métiers d'Art in Paris, in 1960.^[1] He began painting in the early 1960s. However, by 1965 – a year he spent in the Grapetree Bay Hotel on the Caribbean island of Saint Croix^[2] where he was contracted to makefrescoes – he had abandoned traditional painting for the 8.7 cm- wide vertical stripes, which alternated between white and one color, which have become his signature. Working on-site, he strives to contextualise his artistic practice using the stripe – a popular French fabric motif – as a means of visually relating art to its situation, a form of language in space rather than a space in itself. Denoting the trademark stripes as a visual instrument or 'seeing tool,' he invites viewers to take up his critical standpoint challenging traditional ideas about art.

He began producing unsolicited public art works using striped awning canvas common in France: He started by setting up hundreds of striped posters, so-called affichages sauvages, around Paris and later in more than 100 metro stations, drawing public attention through these unauthorised bandit-style acts. In June 1970 he put stripes on the front and back of Los Angeles bus benches without permission. In another controversial gesture he blocked the entrance of the gallery with stripes of his first solo exhibition. Expanding on this idea, in 1971 he created a six-foot banner, Peinture-Sculpture, to divide the Solomon R. Guggenheim Museum's rotunda in New York. For his first New York City solo show in 1973, Buren suspended a set of nineteen black and white striped squares of canvas on a cable that ran from one end of the John Weber Gallery to the other, out the window to a building on the other side of West Broadway and back.^[3] Nine pieces were inside the gallery and nine outside; a middle piece, which connected the outside and the inside parts of the installation, was placed half-in and half-out in the opening where the window frame had been removed for the duration of the exhibition.^[4] In 1977 Buren cut up one of his artworks from 1969 and made a new work, designating that the sections should hang in the corners of a wall, whether that wall was empty, had doors or windows, or even had other artworks already hanging on it.^[5]

Tours Tram – The vertical stripes ; Collaboration design with RCP Design Global

As a conceptual artist, Buren was regarded as visually and spatially audacious, objecting to traditional ways of presenting art through the museum-gallery system while at the same time growing in hot demand to show via the same system. In the late 1960s he connected to the ideas of space and presentation arising through deconstructionist philosophies that had as their background the May 1968 student demonstrations in France. Between 1966 and 1967, he joined forces with fellow artists Olivier Mosset, Michel Parmentier, and Niele Toroni to form the BMPT, whose intention was to reduce paintings to the most basic physical and visual elements through the systematic repetition of motifs.

Often referred to as 'the stripe guy,' Buren also expresses his theme in paint, laser cut fabric, light boxes, transparent fabrics and ceramic cup sets. His stripes are displayed in private homes, public places, and museums worldwide. Since the 1950s he has amassed some 400,000 of what he calls photos-souvenirs, documenting his work and travels around the globe.

Sources from Wikipedia

VEMOSARTE

viernes, 27 de junio de 2014

What happening in MAMO France (Marseille) 2014 Exposition Daniel Buren — DÉFINI, FINI, INFINI Ora-Ito

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